‘Turn of the Screw’ Begins Operatic Festival

A year-long celebration of Karlos Moser’s direction of The University Opera will begin on a spooky note Oct. 30 at 7:30 p.m. in Music Hall. Moser retired in May after 36 years in the School of Music.

The first of three productions this year, “The Turn of the Screw,” draws upon author Henry James’ study in ambiguity of the same name.

Originally published in 1898, ‘Turn’ explores the psychological maze encountered by a governess whose seemingly adorable charges may or may not be possessed.

According to conductor Moser, however, audiences will find the operatic ‘Turn’ very different from the literary version.

“Henry James implies everything and says nothing,” he says. “But, of course, you have to say something in opera, and in this opera, ambiguity often is conveyed through the music.”

In addition, Moser says, ‘Turn’ explores quite contemporary moral issues: “what is meant by personal responsibility, the nature of evil and loss of innocence.”

“Turn of the Screw” also will be performed Nov. 1 at 8 p.m. in Music Hall. The tribute to Karlos Moser will continue Feb. 6 and 8 with “Lost in the Stars,” a Kurt Weill-Maxwell Anderson collaboration based on Alan Paton’s novel, “Cry the Beloved Country.” The season will conclude April 3 and 5 with “La Boheme.” For performance and ticket information, check The University Opera Web page.